The research is based on several photographic images mainly from the 50s and 60s, through which the expressive means of human relationships is inquired, especially that of the couple, the forces and the intimacy that come into being, by fathoming its dark side without fear.
Alla prima paintings accompany each other, without afterthoughts and preserving the required and immediate tension that derives from the constant activity of drawing.
The outrightness and the will to highlight the expression of the moment and the subject depicted, is sought after. The act of painting takes on the value of emotion and reveals that which is darker than matter.