The work originates from the pictures of the early 1900s, while the subject is decontextualised, reworked and redefined until it reveals an anonymity that distinguishes it only as a physical presence for a perpetual and undefined period of time.
The painting itself is characterised by a swift and determined execution, alla prima, in which the pictorial fault is not contemplated and takes on expressive value and technical incisiveness.
The outrightness and the will to highlight the expression of the moment and the subject depicted, is sought after.
The act of painting takes on the value of emotion and reveals that which is darker than matter.