The inspiration comes from photographic images of the late 1800s and early 1900s, the first of their kind regarding human existence and goes on with a search consisting of drawings inspired by photo booth pictures of the 60s.
Often they are faded figures drawn with crayons and graphite on white paper.
They disappear and re-emerge filtered by the unfathomable side of the creative nous.
Drawings of about 50×40 cm, made primarily with mixed media, focus on the search for a personal pictorial language.
The sign is incisive, the stroke decisive and without afterthoughts, and the study is based on the strength and expressive need which is also an existential inquiry.