- The pictorial narration takes place in a stream of consciousness without preparatory sketches and by painting directly with the brush, alla prima, figures, landscapes and animals that form, by means of gestures and promptness, the painting’s body of work deeply felt and lived with freedom and urgency to create.
- The work starts from pictures of the early 1900s or pictures of women of the 40s: the subject is decontextualised in order to reach a dimension less directed towards the characteristics of the person portrayed and also to reveal an anonymity that distinguishes it only as a physical, human presence.
- Paintings that come into being by putting side by side instants and frames enclosing in a tale moments of a day or a lifetime. The painting itself is characterised by a swift and determined execution, alla prima, in which the pictorial fault is not contemplated and takes on expressive value and technical incisiveness.
- The research is based on several pictures mainly from the 50s and 60s through which the expressive means of human relationships is inquired, especially that of the couple, the forces and the intimacy that come into being, by fathoming its dark side without fear.
- The work comes forth with the purpose of telling and dealing with that which is hidden from the eye, by making use of the pictorial means experienced as a bearer of existential truths
